This flyer design I created for Mirbach Apotheke Berlin and Naturopath Kristin Wiegleb.
The idea was to make the topic of microbiome analysis fun and visually engaging, especially since their audience is mainly younger individuals and families (the test is even suitable for kids). I used vibrant colors and playful visuals to make the flyer approachable and eye-catching. A few months after launching, i got some great feedback—both the client and their customers loved it!
This flyer design I created for Mirbach Apotheke Berlin and Naturopath Kristin Wiegleb.
The idea was to make the topic of microbiome analysis fun and visually engaging, especially since their audience is mainly younger individuals and families (the test is even suitable for kids). I used vibrant colors and playful visuals to make the flyer approachable and eye-catching. A few months after launching, i got some great feedback—both the client and their customers loved it!
This flyer design I created for Mirbach Apotheke Berlin and Naturopath Kristin Wiegleb.
The idea was to make the topic of microbiome analysis fun and visually engaging, especially since their audience is mainly younger individuals and families (the test is even suitable for kids). I used vibrant colors and playful visuals to make the flyer approachable and eye-catching. A few months after launching, i got some great feedback—both the client and their customers loved it!
Now in my tenth year in Germany, I find myself reflecting on “back to the south sky,” a weather phenomenon from southern China characteristic of March and April. This period’s intense humidity can seep into buildings and foster mold growth on various materials, while nearly saturated air impedes the drying process, causing some foods to spoil.
The animation featured in this project uses mold as its central theme, creatively exploring the visualization of everyday details. Through visual elements that resemble mold, this work aims to articulate the impacts of humidity and provides a graphical representation of a nuanced, often overlooked natural occurrence.
Now in my tenth year in Germany, I find myself reflecting on “back to the south sky,” a weather phenomenon from southern China characteristic of March and April. This period’s intense humidity can seep into buildings and foster mold growth on various materials, while nearly saturated air impedes the drying process, causing some foods to spoil.
The animation featured in this project uses mold as its central theme, creatively exploring the visualization of everyday details. Through visual elements that resemble mold, this work aims to articulate the impacts of humidity and provides a graphical representation of a nuanced, often overlooked natural occurrence.
Now in my tenth year in Germany, I find myself reflecting on “back to the south sky,” a weather phenomenon from southern China characteristic of March and April. This period’s intense humidity can seep into buildings and foster mold growth on various materials, while nearly saturated air impedes the drying process, causing some foods to spoil.
The animation featured in this project uses mold as its central theme, creatively exploring the visualization of everyday details. Through visual elements that resemble mold, this work aims to articulate the impacts of humidity and provides a graphical representation of a nuanced, often overlooked natural occurrence.
On April 30, 2024, the 22nd day of the third month in the Year of the Dragon according to the Chinese lunar calendar.
Suitable for: opening the market, trading, issuing bills, hanging signs, offering sacrifices, turning on lights, praying for blessings, asking for descendants, making the bed, removing obstacles, construction, and burial.
Not suitable for: engagement, naming, forming alliances, marriage, house entry, opening warehouses, starting fires, moving earth, breaking ground, accepting livestock, cutting wood.
On April 30, 2024, the 22nd day of the third month in the Year of the Dragon according to the Chinese lunar calendar.
Suitable for: opening the market, trading, issuing bills, hanging signs, offering sacrifices, turning on lights, praying for blessings, asking for descendants, making the bed, removing obstacles, construction, and burial.
Not suitable for: engagement, naming, forming alliances, marriage, house entry, opening warehouses, starting fires, moving earth, breaking ground, accepting livestock, cutting wood.
On April 30, 2024, the 22nd day of the third month in the Year of the Dragon according to the Chinese lunar calendar.
Suitable for: opening the market, trading, issuing bills, hanging signs, offering sacrifices, turning on lights, praying for blessings, asking for descendants, making the bed, removing obstacles, construction, and burial.
Not suitable for: engagement, naming, forming alliances, marriage, house entry, opening warehouses, starting fires, moving earth, breaking ground, accepting livestock, cutting wood.
数字2在中华文化中常常被认为是吉祥的数字，因为它代表“双倍”，“成双成对”，在许多传统习俗中，尤其是婚礼上，都喜欢使用成对的物品来象征好运和双份的幸福。此外，在广东话中“二”与“易”发音相似，象征着事物的顺利和容易。
The number 2 is often associated with balance and duality in many cultures. In Western contexts, it can represent both difference and togetherness, reflecting its nature in forming a pair or couple. This digit is symbolic in nature, representing opposing forces like yin and yang, which are fundamental to human existence.
Die Zahl 2 wird oft als Symbol der Dualität und Partnerschaft angesehen. In der deutschen Kultur kann sie für Gegensätze stehen, die sich ergänzen, wie Tag und Nacht oder männlich und weiblich. Diese Zahl wird häufig in Diskussionen über Beziehungen und Harmonie verwendet, da sie die Notwendigkeit des Ausgleichs und der Zusammenarbeit betont.
Le chiffre 2 est souvent associé à la dualité et à la coopération dans la culture française. Il symbolise la relation et l'harmonie entre des forces opposées, comme le bien et le mal, ou la lumière et l'obscurité. En philosophie, le deux incarne l'idée de réflexion et de choix, essentiels pour l'équilibre de la vie.
数字2在中华文化中常常被认为是吉祥的数字，因为它代表“双倍”，“成双成对”，在许多传统习俗中，尤其是婚礼上，都喜欢使用成对的物品来象征好运和双份的幸福。此外，在广东话中“二”与“易”发音相似，象征着事物的顺利和容易。
The number 2 is often associated with balance and duality in many cultures. In Western contexts, it can represent both difference and togetherness, reflecting its nature in forming a pair or couple. This digit is symbolic in nature, representing opposing forces like yin and yang, which are fundamental to human existence.
Die Zahl 2 wird oft als Symbol der Dualität und Partnerschaft angesehen. In der deutschen Kultur kann sie für Gegensätze stehen, die sich ergänzen, wie Tag und Nacht oder männlich und weiblich. Diese Zahl wird häufig in Diskussionen über Beziehungen und Harmonie verwendet, da sie die Notwendigkeit des Ausgleichs und der Zusammenarbeit betont.
Le chiffre 2 est souvent associé à la dualité et à la coopération dans la culture française. Il symbolise la relation et l'harmonie entre des forces opposées, comme le bien et le mal, ou la lumière et l'obscurité. En philosophie, le deux incarne l'idée de réflexion et de choix, essentiels pour l'équilibre de la vie.
数字2在中华文化中常常被认为是吉祥的数字，因为它代表“双倍”，“成双成对”，在许多传统习俗中，尤其是婚礼上，都喜欢使用成对的物品来象征好运和双份的幸福。此外，在广东话中“二”与“易”发音相似，象征着事物的顺利和容易。
The number 2 is often associated with balance and duality in many cultures. In Western contexts, it can represent both difference and togetherness, reflecting its nature in forming a pair or couple. This digit is symbolic in nature, representing opposing forces like yin and yang, which are fundamental to human existence.
Die Zahl 2 wird oft als Symbol der Dualität und Partnerschaft angesehen. In der deutschen Kultur kann sie für Gegensätze stehen, die sich ergänzen, wie Tag und Nacht oder männlich und weiblich. Diese Zahl wird häufig in Diskussionen über Beziehungen und Harmonie verwendet, da sie die Notwendigkeit des Ausgleichs und der Zusammenarbeit betont.
Le chiffre 2 est souvent associé à la dualité et à la coopération dans la culture française. Il symbolise la relation et l'harmonie entre des forces opposées, comme le bien et le mal, ou la lumière et l'obscurité. En philosophie, le deux incarne l'idée de réflexion et de choix, essentiels pour l'équilibre de la vie.
Responsive onepager website design
Responsive onepager website design
Responsive onepager website design
Corporate Design
Logo, Typography, color palette, imagery etc.
Corporate Design
Logo, Typography, color palette, imagery etc.
Corporate Design
Logo, Typography, color palette, imagery etc.
I use a website called 'random word generator' to generate words or sentences randomly, and then I try to create a visual story out of the nonsense.
I use a website called 'random word generator' to generate words or sentences randomly, and then I try to create a visual story out of the nonsense.
I use a website called 'random word generator' to generate words or sentences randomly, and then I try to create a visual story out of the nonsense.
Event Poster Design, roc speech&workshop at Cheung Kong School of Art and Design,Shantou University, Shantou, China
Event Poster Design, roc speech&workshop at Cheung Kong School of Art and Design,Shantou University, Shantou, China
Event Poster Design, roc speech&workshop at Cheung Kong School of Art and Design,Shantou University, Shantou, China
Krempel dein Körper um, Yu Linhan, 100 pages, 30,5cm X 22cm X 1cm
Krempel dein Körper um, Yu Linhan, 100 pages, 30,5cm X 22cm X 1cm
Krempel dein Körper um, Yu Linhan, 100 pages, 30,5cm X 22cm X 1cm
I use a website called 'random word generator' to generate words or sentences randomly, and then I try to create a visual story out of the nonsense.
I use a website called 'random word generator' to generate words or sentences randomly, and then I try to create a visual story out of the nonsense.
I use a website called 'random word generator' to generate words or sentences randomly, and then I try to create a visual story out of the nonsense.
Against the backdrop of the pandemic era, students from the Berlin University of the Arts have initiated and organized an online exhibition. This art collective comprises 10 artists from various countries and cultural backgrounds, showcasing photography, sound installations, video installations, and more. The exhibition is scheduled to take place from April 30th to May 2nd, 2021, in cooperation with KUNSTRAUM POTSDAMER STRASSE.
Participating Artists and Performers
PARKVERBOT (Collektive)Umut Azad Akkel, Louisa Boeszörmény, You Gu, Miji Ih, Dana Rabea Jäger, Pegah Keshmirshekan, Anan Yoon Lee, Sugano Matsusaki, Guoxin Tian, Zhé Wang
Against the backdrop of the pandemic era, students from the Berlin University of the Arts have initiated and organized an online exhibition. This art collective comprises 10 artists from various countries and cultural backgrounds, showcasing photography, sound installations, video installations, and more. The exhibition is scheduled to take place from April 30th to May 2nd, 2021, in cooperation with KUNSTRAUM POTSDAMER STRASSE.
Participating Artists and Performers
PARKVERBOT (Collektive)Umut Azad Akkel, Louisa Boeszörmény, You Gu, Miji Ih, Dana Rabea Jäger, Pegah Keshmirshekan, Anan Yoon Lee, Sugano Matsusaki, Guoxin Tian, Zhé Wang
Against the backdrop of the pandemic era, students from the Berlin University of the Arts have initiated and organized an online exhibition. This art collective comprises 10 artists from various countries and cultural backgrounds, showcasing photography, sound installations, video installations, and more. The exhibition is scheduled to take place from April 30th to May 2nd, 2021, in cooperation with KUNSTRAUM POTSDAMER STRASSE.
Participating Artists and Performers
PARKVERBOT (Collektive)Umut Azad Akkel, Louisa Boeszörmény, You Gu, Miji Ih, Dana Rabea Jäger, Pegah Keshmirshekan, Anan Yoon Lee, Sugano Matsusaki, Guoxin Tian, Zhé Wang
Catalogue cover design LUO YANG. Selected Works, 208 pages, 24,5cm X 17cm X 2,5cm
Catalogue cover design LUO YANG. Selected Works, 208 pages, 24,5cm X 17cm X 2,5cm
Catalogue cover design LUO YANG. Selected Works, 208 pages, 24,5cm X 17cm X 2,5cm
Exhibition Poster Design, Krempel dein Körper um, Yu Linhan
Exhibition Poster Design, Krempel dein Körper um, Yu Linhan
Exhibition Poster Design, Krempel dein Körper um, Yu Linhan
I use a website called 'random word generator' to generate words or sentences randomly, and then I try to create a visual story out of the nonsense.
I use a website called 'random word generator' to generate words or sentences randomly, and then I try to create a visual story out of the nonsense.
I use a website called 'random word generator' to generate words or sentences randomly, and then I try to create a visual story out of the nonsense.
I use a website called 'random word generator' to generate words or sentences randomly, and then I try to create a visual story out of the nonsense.
I use a website called 'random word generator' to generate words or sentences randomly, and then I try to create a visual story out of the nonsense.
I use a website called 'random word generator' to generate words or sentences randomly, and then I try to create a visual story out of the nonsense.
I use a website called 'random word generator' to generate words or sentences randomly, and then I try to create a visual story out of the nonsense.
I use a website called 'random word generator' to generate words or sentences randomly, and then I try to create a visual story out of the nonsense.
I use a website called 'random word generator' to generate words or sentences randomly, and then I try to create a visual story out of the nonsense.
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